CanCon TV has been really knocking it out internationally since Flashpoint. Many shows have been hits outside of the country, and friends in the TV biz have never been busier.
As the big US networks have been looking for the next damp rehashed sitcom or emergency services show (Chicago HMD is on it's way, I know it!), we've been doing some mostly great stuff that often pulls in more views than the big three.
Orphan Black (CTV co-production)
Murdoch Mysteries (in 110 countries, CBC)
Heartland (14 seasons, 119 countries, CBC)
Alias Grace (CBC)
Paw Patrol (ugh, TVO co-production),
Vikings (Shaw/Corus)
Letterkenny (Bell Media)
Frontier (Bell Media): Geez, I mean Bell created a series about a half-Cree trapper in a historical drama set in Northern Ontario about breaking the Hudson's Bay Co.'s monopoly on fur trading. There are often full scenes of the show spoken strictly in Cree. It is so Canadian it hurts, and it's a hit internationally. (Jason Momoa may have something to do with that, but I digress).
That's not including all the all-Canadian productions on US-owned properties. We aren't just producing cheaper stuff, we're producing *better* stuff. And it's made easier with having some of the best SFX companies HQed in Canada. I've heard rumours of full US production companies planning to move up here permanently, as Hollywood's slow death is being dramatically hastened with Covid. Unless the US somehow pulls a vaccine out of nowhere, they're in this for the long haul, and a whole bunch of contracts will end unfulfilled if they aren't able to film. Ship cast, crew, sets and equipment up here, quarantine for a few weeks, test regularly and film now, as opposed to waiting a year or two...