smuncky
Senior Member
TVGuide.com: Why did you choose to end the show with Six and Baltar walking through Times Square?
Moore: Two things: One, Dave Eick and I had the image of number Six walking through Times Square in her red dress a couple of years ago. We thought potentially that that was just a great visual note to end on. And that also came out of the idea that we eventually wanted the show to directly relate to us. That the show was always intended to be relevant and be current to our society and lives and that it wasn't completely escapist — "Oh here's a story about a bunch of people who are not related to us on Earth at all." We wanted it to ultimately circle back and say look, these people were our forbearers; in a real sense what happened to them, could happen to us. Look around you. Wake up. Think about the society that you live in and we wanted to make that literal at the end.
TVGuide.com: Can you explain the idea behind using "All Along the Watchtower" as a sort of unconscious constant for both Cylons and humans?
Moore: I was always fascinated by the idea that music is this thing that musicians catch out of the air, from the ether. They just pluck it out of nowhere and you hear it and it's beautiful and moving, and it touches us in a way that we can't even understand. Well, where does it come from? It feels like it lives somehow in the collective unconscious or it's a constant in the universe. So, here's a song that transcends the eons and that was around and was somehow divinely inspired or has some connection to the greater energy of the universe. It existed tens of thousands of years ago, and through time people somehow heard it, plucked it out of the air and shared it with the people around them. That happed with Anders, to Kara and it happened to Bob Dylan!
TVGuide.com: I know this is a Sophie's Choice kind of decision, but do you have a favorite moment from the finale?
Moore: I think the moment when Kara jumps the ship and when we pan up seeing the Earth rise up from the moon was probably my favorite moment because it really is the end point — in terms of story — from where we began. I mean that was the promise from the miniseries that we'll find a place called Earth, and here it is. So there was a tremendous amount of satisfaction seeing that finally happen.
TVGuide.com: And it was such a gorgeous shot...
Moore: It was inspired by two different photos: the famous shot they took on Apollo 8 of Earth's rise over the moon, and then the actual image of Earth we used. We drew upon the Apollo 17 shot — there's a big famous picture of the full Earth that they took on Apollo 17, so we took liberties with both of those and combined them.
TVGuide.com: Any word on when we'll get to see the final prequel movie, "The Plan?"
Moore: Don't have a date for it yet, but they said that it's gonna be in the fall some time, possibly in November. But, there's no firm date for that.
TVGuide.com: What's the deal with this Battlestar movie that's being made — it's not your version of Battlestar?
Moore: Well I don't really know anything about it. They didn't talk to me before they made the deal with Glen Larson, so I don't really know much about it.
TVGuide.com: So they never approached you about a movie?
Moore: Nope. They never picked up the phone. Let's put it that way. But that's OK because I had kind of put the word out that for quite a while that I didn't think that our version of Galactica was going to lend itself to a feature film. I knew that we wanted to end the series the way that we did, and it really wraps up the show. There's really not a story to tell after the finale that would be Battlestar Galactica.
http://www.tvguide.com/News/Battlestar-Galacticas-Ron-1004256.aspx?rss=news&partnerid=spi&profileid=05
Moore: Two things: One, Dave Eick and I had the image of number Six walking through Times Square in her red dress a couple of years ago. We thought potentially that that was just a great visual note to end on. And that also came out of the idea that we eventually wanted the show to directly relate to us. That the show was always intended to be relevant and be current to our society and lives and that it wasn't completely escapist — "Oh here's a story about a bunch of people who are not related to us on Earth at all." We wanted it to ultimately circle back and say look, these people were our forbearers; in a real sense what happened to them, could happen to us. Look around you. Wake up. Think about the society that you live in and we wanted to make that literal at the end.
TVGuide.com: Can you explain the idea behind using "All Along the Watchtower" as a sort of unconscious constant for both Cylons and humans?
Moore: I was always fascinated by the idea that music is this thing that musicians catch out of the air, from the ether. They just pluck it out of nowhere and you hear it and it's beautiful and moving, and it touches us in a way that we can't even understand. Well, where does it come from? It feels like it lives somehow in the collective unconscious or it's a constant in the universe. So, here's a song that transcends the eons and that was around and was somehow divinely inspired or has some connection to the greater energy of the universe. It existed tens of thousands of years ago, and through time people somehow heard it, plucked it out of the air and shared it with the people around them. That happed with Anders, to Kara and it happened to Bob Dylan!
TVGuide.com: I know this is a Sophie's Choice kind of decision, but do you have a favorite moment from the finale?
Moore: I think the moment when Kara jumps the ship and when we pan up seeing the Earth rise up from the moon was probably my favorite moment because it really is the end point — in terms of story — from where we began. I mean that was the promise from the miniseries that we'll find a place called Earth, and here it is. So there was a tremendous amount of satisfaction seeing that finally happen.
TVGuide.com: And it was such a gorgeous shot...
Moore: It was inspired by two different photos: the famous shot they took on Apollo 8 of Earth's rise over the moon, and then the actual image of Earth we used. We drew upon the Apollo 17 shot — there's a big famous picture of the full Earth that they took on Apollo 17, so we took liberties with both of those and combined them.
TVGuide.com: Any word on when we'll get to see the final prequel movie, "The Plan?"
Moore: Don't have a date for it yet, but they said that it's gonna be in the fall some time, possibly in November. But, there's no firm date for that.
TVGuide.com: What's the deal with this Battlestar movie that's being made — it's not your version of Battlestar?
Moore: Well I don't really know anything about it. They didn't talk to me before they made the deal with Glen Larson, so I don't really know much about it.
TVGuide.com: So they never approached you about a movie?
Moore: Nope. They never picked up the phone. Let's put it that way. But that's OK because I had kind of put the word out that for quite a while that I didn't think that our version of Galactica was going to lend itself to a feature film. I knew that we wanted to end the series the way that we did, and it really wraps up the show. There's really not a story to tell after the finale that would be Battlestar Galactica.
http://www.tvguide.com/News/Battlestar-Galacticas-Ron-1004256.aspx?rss=news&partnerid=spi&profileid=05