WiddleBittyKitty
Felis catus
Agreed. It was most definitely built specifically to handle Miss Saigon: no theatre in the city had a fly tower large enough to accommodate the helicopter used in that production. Needless to say it has handled quite a number of shows since then, but I believe that all of the shows which were expected to run for years and years, only achieved years. Besides Miss Saigon, all of these had healthy, but shorter runs than what was hoped for: Lion King, Beauty and the Beast, Sound of Music. There was also, most infamously, Lord of the Rings, which was never healthy in any respect. There have been lots of other shorter run shows through of course, like Les Miz, Chicago, Hairspray, Oliver!, a Phantom remount, Cabaret, and currently they've got a healthy run of War Horse in there.
So, the place is big, and hard to fill. There are also a number of other large live theatre venues in Toronto, and most are under-used. Whether you can blame Dancap's demise on Mirvish or not, we have the Elgin and Winter Garden and the Toronto Centre for the Performing Arts all dark most of the time. A closure of the PoW would mean better use of those venues of course.
I have quite a fondness for the PoW and her fittings, so if she's got to go (and I believe that since it would be the same company tearing it down that built it, they have every right), then I am glad to read that Frank Stella's work is either reproducible or salvageable. I'll look forward to a few more productions there before it closes, but once it's gone I will be very happy to welcome what looks to be the most important new complex in the city in decades. The Mirvish Collection gallery has me the most excited, well that and the promise of three wonderfully idiosyncratic Frank Gehry towers.
How lucky are we? Those who can't see it have a lack of imagination and no respect for precedent. Gehry has done wonderful things around the world, and there are hints here that this could be amongst his very greatest.
So, the place is big, and hard to fill. There are also a number of other large live theatre venues in Toronto, and most are under-used. Whether you can blame Dancap's demise on Mirvish or not, we have the Elgin and Winter Garden and the Toronto Centre for the Performing Arts all dark most of the time. A closure of the PoW would mean better use of those venues of course.
I have quite a fondness for the PoW and her fittings, so if she's got to go (and I believe that since it would be the same company tearing it down that built it, they have every right), then I am glad to read that Frank Stella's work is either reproducible or salvageable. I'll look forward to a few more productions there before it closes, but once it's gone I will be very happy to welcome what looks to be the most important new complex in the city in decades. The Mirvish Collection gallery has me the most excited, well that and the promise of three wonderfully idiosyncratic Frank Gehry towers.
How lucky are we? Those who can't see it have a lack of imagination and no respect for precedent. Gehry has done wonderful things around the world, and there are hints here that this could be amongst his very greatest.