I'm almost loathe to participate in the conversation on this thread at this point, as it means that I am opening myself up to a shouting match with the high-and-mighty duo of Drag Queen and Shoe, but I'm really a bit baffled by the vitriol being thrown at this tower.
It is certainly not an avant-garde, thought-provoking building that will grace the cover of European architecture journals, but it seems to me to be a fundamentally decent addition to the skyline. The crown, while blatantly referential to earlier eras of tower design, is unique in its context. In my eyes, the particular arrangement of symmetrical and asymmetrical elements seems to work. The base looks workable and contextual. It's pretty tall (most people here seem to like that sort of thing).
All in all, it is fairly conservative - to refer to it as 'Vegas' is simply weird. This is a city that has seen some pretty bad neo-historicist schlock - RoCP, Trump, One King West. I would say that on form alone, this one is notably more handsome than any of those. So why the focused scorn?
As with most designs, this one will be made or broken by materials and details. There is risk there, for sure. But Page and Steele don't always screw up in this regard. Block 32 has been their charge all the way through construction drawings and it is clearly turning out to be a fine tower.
I think there is a place for a tower like this in our city. Peter Clewes can't design every building himself, as much as some forum members might like that.