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News Release

The Royal Ontario Museum Opens its Doors Wider

With an Important Revitalization Project

ROM’s Welcome Project re-opens Weston Entrance on Queen’s Park


TORONTO, May 9, 2017 – The Royal Ontario Museum (ROM) is pleased to announce that it is re-opening the Museum’s heritage Weston Entrance, an important component of the ROM’s Welcome Project that will enhance the ROM’s role as a vital civic hub for visitors and offer greater access to Canada's pre-eminent museum. Slated for completion in September 2017, the re-opening of the entrance on Queen’s Park is timed to coincide with Canada’s 150 celebrations. This revitalization projectwas made possible by The W. Garfield Weston Foundation and through a $1.5 million investment by the Government of Ontario.


“Opening the doors to Queen’s Park is part of the ROM's ongoing transformation as a 21st century museum, one that both respects our heritage and looks forward to the future,” says Josh Basseches, ROM Director and CEO. “This project opens up the ROM — both literally and symbolically — to our community, offering visitors better access to their Museum and builds on our commitment to create an exceptional visitor experience. We are very grateful to The W. Garfield Weston Foundation and the Government of Ontario for making this part of the project possible.”

Weston Entrance Re-Opening

The revitalization of the Museum's landmark Queen’s Park façade is designed by renowned Toronto architect Siamak Harri of Hariri Pontarini Architects. With these renovations, the Weston Entrance becomes one of two public entry points to the Museum. The reconstruction includes extending, refurbishing and heating the limestone steps to create a welcoming public gathering place that complements the Bloor St. Michael Lee-Chin Crystal Entrance, on the building’s north side. The refurbishments also include new accessibility ramps to provide even greater access for those using wheelchairs or using strollers.

Contemporary glass doors will offer clear views into the Museum’s historic Rotunda and through to the Samuel Hall
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Currelly Gallery. The Hilary and Galen Weston Wing and The Weston Family Wing will also be illuminated by new architectural lighting at night to enhance the ROM’s historic façade. New landscaping will provide more green space on the grounds facing Queen’s Park and draw visitors to the redesigned entrance.

Opening an additional entrance re-connects the Museum to one of the Canada’s most prominent addresses, while giving visitors convenient access from Queen's Park and the Museum subway station. Once inside, visitors can purchase admission tickets for access to the Museum’s more than 40 gallery and exhibition spaces.

“I am delighted that our government is investing in the reopening and enhancement of the ROM’s stunning heritage entrance,” said Minister McMahon, Minister of Tourism, Culture and Sport. “As we celebrate Ontario’s 150th anniversary, it is projects like this that help us honour our past, showcase our present and inspire future generations.”

This phase of The Welcome Project has been made possible through the generosity of many donors, with special thanks to the Ivey Foundation and the Department of Museum Volunteers.

The Welcome Project will encompass a number of other initiatives that will enhance the ROM’s presence on the Bloor Street corridor. These include the Helga and Mike Schmidt Performance Terrace, and additional landscape design elements that will enhance the Museum’s public and green spaces. Further details will be announced soon.​
 
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" ...that complements the Bloor St. Michael Lee-Chin Crystal Entrance, on the building’s north side."
-- That 'Crystal Entrance' has never been a success. In my opinion, it's terribly ugly.
 
There's also a Star article on this now with a couple not-very-detailed renders. Sadly, no mention of additional Bloor-side works.



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Honestly though, it is kind of underwhelming for what it is - and comparing the steps to the Met is painful:

Now%20at%20The%20Met_marquee.jpg

(From The Met)

The scale couldn't be more different - it's barely even the topmost rung.

AoD

Yeah, I'm similarly underwhelmed, and that Met photo doesn't even include the $100M-worth of work that was just completed on either side of the stairs.
 
Yeah, I'm similarly underwhelmed, and that Met photo doesn't even include the $100M-worth of work that was just completed on either side of the stairs.

Which makes the chest puffing look even more ridiculous. Compare oneself to New York at one's own risk (I am looking at you, Dundas Square).

AoD
 
From the Globe, by Alex B

http://www.theglobeandmail.com/life...aws-with-its-welcome-project/article34973539/

It's still a little unclear how the logistics of two entrances will work (admission, security, public vs. restricted space) - how many examples of large museums with multiple public entrances are there?

AoD

The Louvre has more than two entrances.

Rijksmuseum also has 2 entrances, but both lead to the same central lobby with ticketing/security, something that won't be possible with the ROM's configuration.

Since this was formerly the main entrance to the ROM, I assume it will just be set up similarly to the way it originally was.
 
They're hoping to open up as much of the first floor to the public as a free area as possible. I like that idea. It'll give people a taste of the museum and plenty of room for groups to assemble or people to meet up at but I can't see a way of connecting the Queens Park lobby to the Crystal lobby without closing off the stairs in the rotunda.

rom-level1.png
 
IMO they should figure out a way to fill up the Spirit House on all levels and turn it over to additional exhibition and circulation space.

It's a dim, claustrophobic space that does very little.

That, or they should open up the walls and turn it more into an open atrium.
 
The east side re-opening is good news - gives back that real sense of occasion I felt when entering under the Rotunda, which had gone missing with the Crystal portal off Bloor. Two completely different entry experiences will now complement each other, with landscaping improvements on the Bloor face. Two steps in the right direction as I see it.
 
IMO they should figure out a way to fill up the Spirit House on all levels and turn it over to additional exhibition and circulation space.

It's a dim, claustrophobic space that does very little.

That, or they should open up the walls and turn it more into an open atrium.
I always felt the crystal space has too low ceilings. It's supposed to be a grand hall.
 

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