LowPolygon
Senior Member
Trump is hardly the latest anything. That hackneyed design has been kicking around the better part of a decade, and was a stale 1980's rehash from the get-go. Neo it is not.
"Neo" implies a sleek, sexier, 21st century updating of a form: Ã la Massey Tower's reworked 70's "late-modern", aA's pop-minimalism, or things like the aforementioned Ford Mustang, in the context of industrial design.
The closest thing Toronto has to neo-postmodernism is Robert A.M Stern's 1 St. Thomas, which, however one feels about postmodernism itself, is a singularly well-handled example of the kinds of things we talk about when we say the word "neo".
Trump is just a poorly handled retread of a dead form, along with 1 King West, Up(chuck)Town, ROCP, and the rest of the kitschy clunkers bigfooting the skyline.
None of them add a single idea to the original architectural aesthetic they ape. They are just stunningly bad, unsophisticated, utterly dated hack-jobs.
This inability to 'add to the discussion' of the corpus of architectural ideas is, in the main, what distinguishes the (all too common) bad designs we see in this city, from the relatively less frequent good-to-great ones.
"Neo" implies a sleek, sexier, 21st century updating of a form: Ã la Massey Tower's reworked 70's "late-modern", aA's pop-minimalism, or things like the aforementioned Ford Mustang, in the context of industrial design.
The closest thing Toronto has to neo-postmodernism is Robert A.M Stern's 1 St. Thomas, which, however one feels about postmodernism itself, is a singularly well-handled example of the kinds of things we talk about when we say the word "neo".
Trump is just a poorly handled retread of a dead form, along with 1 King West, Up(chuck)Town, ROCP, and the rest of the kitschy clunkers bigfooting the skyline.
None of them add a single idea to the original architectural aesthetic they ape. They are just stunningly bad, unsophisticated, utterly dated hack-jobs.
This inability to 'add to the discussion' of the corpus of architectural ideas is, in the main, what distinguishes the (all too common) bad designs we see in this city, from the relatively less frequent good-to-great ones.