flonicky
Senior Member
love the crystal exterior, hate the interior
You're casting those judgements because you know the history of each. My point is that if you didn't know what you know, and were seeing each for the first time, it wouldn't be clear and I doubt you'd feel the same.
If you later found out that the randomized panels denoting the vertical circulation corridors on Bridgepoint were intended to be uniform, would it change how you felt about the effect?
No, but the Crystal will undergo its own unique process - one which began with a set of mismatched clothes. You're quick to remind others that one building is not another and that each should be judged by their own merit. If that's the case (and it surely is), why should all buildings age the same?
I'm hardly arguing for a haphazard design process, merely that when things go wrong, sometimes the resulting effect is pleasantly more engaging than what was originally planned.
But do Bridgepoint's panel locations exactly match those promised in the drawings? Even if this idea is the same, where do you draw the line in terms of the failure of its execution? We're constantly reminded here (both in conversation on the site and in execution around the city) that what someone draws isn't necessarily what will be built. Why would the conceptual stages of our very excellent cultural and healthcare projects be any different?