rdaner
Senior Member
There was an announcement in the winter that a city museum (Humanitas) is being proposed for this site.
I spent three summers working at Canada Malting during my high school/university days. 82-84. Best paying job I had for many years. When it started to close down I moved to the Molson plant across the street. Three more years at a great paying student job. And this one provided free beer.
We used to grab beer at both plants (fresh beer from Molson was a regular offering at CM) and then head up to the roof to watch the airshow or fireworks. Great times.
Toronto Museum plan alive and kicking
Jun 02, 2008 04:30 AM
Martin Knelman
Fast forward to 2015.
On a lovely summer evening, you take your family to the foot of Bathurst St. to visit Toronto's latest cultural attraction: a museum devoted to the history of this city, with links to other cities.
As you arrive, you are wowed by iconic structures that were once the Canada Malting Silos, enhanced by a stunning light show.
You ride to the top, where there's a restaurant and a viewing platform. On the way up, you take a time trip through the history of Toronto, hearing voices and music of the city over decades.
From the lobby, there's a splendid view of the lake, along with a sight-and-sound exhibit showing the morphing of the shoreline from the ice age to the condo age.
All this is part of an exciting plan that will go to city council's executive committee tomorrow seeking approval to proceed to the next stage: a call for proposals from potential co-development partners.
The project has been spearheaded by Rita Davies, Toronto's visionary executive director of culture, with the help of volunteer champions David Crombie and Sarmite Bulte and Toronto museum consultant Gail Lord of Lord Cultural Resources.
If the Toronto Museum Project – as it is now known – has a familiar ring to it, that's because an earlier version was debated four years ago. It was then called Humanitas.
Early last year, Davies settled on the silos location: a 1.4-hectare site on prime city-owned waterfront land, where previous plans to build a music museum had failed to move forward.
"The original cost was $150 million," says Davies, "but that stopped people in their tracks. We realized it would work better with less space and a total cost of $100 million. We want to leave room not only for what a co-developer might build but also open outdoor public space on the waterfront."
The museum (a new building next to the silos) would have a collection of some objects, but the emphasis would be on ideas and futuristic interactive features.
For example, Lord envisions an "immersive urban planetarium," a round room with a huge globe where school kids could choose any city in the world and compare its population, roads, transit system and schools to Toronto's.
Next door might be a "civil society room" with direct feeds to Toronto City Hall and city halls in other centres around the world.
Galleries would explore the soul of the city through its artists and performers, depicting not only diverse cultures and languages, but the struggles that led to the character of the city today.
Okay, but how could the cash-strapped city finance this dream?
Davies estimates that of the $100 million budget, $20 million would come from a commercial co-developer, $20 million from Ottawa and $20 million from Queen's Park. The remaining $40 million would be raised privately through a capital campaign.
As for the H-word, the project's previous name – which confused and alienated potential supporters – is mercifully gone.
"I can't seem to remember what the word was," quips Davies