Ladies Mile
Active Member
How much of a city’s mystique is based on the perception of danger? To what extent is the modern city the modern city because it is Gotham City?
Obviously it seems lunacy to romanticize street crime (and worse) yet it appears that a large part of urban glamor is predicated on the notion of the city as being a kind of mad carnival—particularly in North America, but I would argue it as true for the post-industrial European city and the new Asian megalopolis as well.
The only time that New York comes alive for me visually is at night. It is paradoxically at its grandest when it is at its most threatening.
What is Toronto’s Noir value? If it lacks one, is that a loss?
Obviously it seems lunacy to romanticize street crime (and worse) yet it appears that a large part of urban glamor is predicated on the notion of the city as being a kind of mad carnival—particularly in North America, but I would argue it as true for the post-industrial European city and the new Asian megalopolis as well.
The only time that New York comes alive for me visually is at night. It is paradoxically at its grandest when it is at its most threatening.
What is Toronto’s Noir value? If it lacks one, is that a loss?




