Not by him, I don't think, but it reminds me of buildings by George Robb, famous for the Shell Oil Tower - a design based on the geometry of the golden section.
The nicely proportioned modules that make up the windows and doors are pleasing to the eye and visually balanced, yet asymmetrically placed in an interesting way. I like how the strong, two floor pilasters butt up to the cornice line, and play off the strong horizontal bands not only of the upper floor windows but the brickwork that runs below them too. It's a visual tease - do the pilasters and cornice project out from the building, or is the rest of the building recessed? The play of verticals and horizontals, largely enabled by the rather monumental pilasters, seems to be the defining motif of this place. I hope it's still around.