Condo critic
ONE ST. THOMAS: The nicely detailed exercise in nostalgia makes all the right moves. It harkens back to a time – the 1920s and `30s – when utility and elegance co-existed happily. With its setbacks, wedding cake proportions and urban sensibility, it belongs with that small handful of buildings designed to be part of something larger, namely a city. Though feminine, it has a robust and assertive style. It wants to be beautiful, and demands our admiration, which is hard to withhold. Whether it has any relationship to the architecture of our time is an open question. On the other hand, if we're going to indulge our hunger for the past, we might as well do it at the highest level. This is definitely not one of those marketing-department driven kitsch condos of which Toronto has a surfeit. It is much too well done for that. The proportions, the play between black and white, the placement of the windows, the balconies, the setbacks and way the building meets the street are models of sophistication. Nice, too, is the fact the entrance is not on the street but kept apart.
GRADE: B+